Songs I Like This Week! (Vol. 6)

 

 

 

WASSUP, DOE???????

I had a grand week, hope you did too. Onward to the tunes.

Skepta – Ladies Hit Squad (ft. Double E & A$AP Nast)

I watched this well done documentary about Skepta not too long ago, which really helped me understand his motivations and how serious he is about his career. I’ve been paying attention to his new output and this song/video dropped on Valentines Day.  The video is really beautiful, and the visuals match perfectly with the otherworldly feel of the song. There’s a dormant horror movie/dream sequence aspect, sonically,  which was a large part of early A$AP music. The Double E verse accurately sets the tone, but Skepta’s verse is fantastic; he’s clever, funny, and manages to catch the beat at the EXACT perfect spot. Nast’s hook is really good, and is extremely hard to forget. I want him to re-record the hook with more energy/clarity, but it really may be perfect this way.

 

Nyemiah Supreme – Clickin

 

I’ve been a fan of Nyemiah’s for a while. Her older music had an edge that I feel she lacked in recent times; on her new project ALPHA, that aggression has returned. She really sounds clear and refreshed, her self-esteem is through the roof. On “Clickin”, its good ol’ rap braggadocio that we don’t hear from women enough. It’s just fly as hell, from the Japanese influence, the falling keys to Nyemiah’s perfect rap voice. Made me wanna hop on a flight and flex for no reason whatsoever; good songs produce action. And she’s from Queens!!!

Rome Fortune – Love

 

Rome has been making music for quite some time now, and is currently reinventing himself. I wasn’t really into the music he made as he got to this point, but I think he’s really found himself now. Rome sounds very comfortable rapping (and singing!) over a beat that sounds like a party in Ibiza got teleported to Atlanta. He mentions some pretty heavy things, such as his financial situation, supporting his children, and thoughts of suicide. Overall, the song is passionate and very sincere, which will always matter to me.

 

Jane Handcock – LA Nigga

 

I stumbled across this song because an RnB blog tweeted her tape Truth Be Told. Jane is a well-decorated songwriter who decided to release a project of her own. “LA Nigga” is a story of her struggles with a current lover, when things were once great. While things arent going well, she still acknowledges that she’d rather be with this person more than anyone else. Jane is literally pleading with herself, as she tries to reassure the man in her life that he’s the one, and also convince herself that she can’t help but stay. The rawness of Jane’s voice really sells the song; you can feel the doubt and vulnerability in every word. The production wails and creeps in the night, turning the feeling of trying to hold it all together into sound. I’m really enamored with this, and interested in Jane’s future.

Azealia Banks – The Big Big Beat

 

Yes, #MyProblematicBae has done it again.Azealia says a lot of toxic shit on Twitter and is rather out of control offline, but this music shit is definitely her calling. “The Big Big Beat” marks Azealia going right back to her house roots, except she’s vocally better now, and just as slick of a rapper as ever. The song just soars, it feels like a 90s house era that I was much too young to be involved in. The production is incredible (as always); Azealia’s ear is CRAZY, and pretty much always has been. I really want 2016 to be the year that Azealia just works and doesn’t say (too much) crazy shit, but I now understand that’s just part of the package. Her antics become increasingly difficult to look past, but the music is great. What’s a guy to do?

 

 

 

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